Photography: Seamus Deasy
Sound: Pat Hayes
Art Director: Tom Conroy
Editor: Martin Duffy
Music: Roger Doyle
Director: Bob Quinn80 mins, Colour / B&W, 16mm
(See also The Bishops Story)
"The theme of Bob Quinns latest and best film is clerical celibacy.
The title translates as The Monks Penis, not the sort of phrase used by
polite film critics but with the Bible, Shakespeare and Gaelic you can
get away with anything. The film is a regional one shot on Clare Island
(Co. Mayo) and is acted largely by the islanders themselves.
The story relates how a young island priest becomes the lover of his housekeeper
and faces his congregation with the announcement that he is to become
a father. He intends to carry on as guardian of his flock as the girl
leaves the island. Parallel with this is the problem of confronting his
bishop who represents the bureaucracy of the Church.
The treatment of the film is complex and highly original, carrying many
layers of visual meaning. The priests story is told in the style of the
silent cinema with intertitles and is shot in black and white. The section
dealing with the bishop has full dialogue and is shot in colour often
alternating with the black and white of the priests story.
The treatment works for the film, moulds its tension and holds it from
beginning to end. The leading roles of the priest and the girl are well-played
by Donal McCann and Maggie Fegan while Peadar Lamb makes an impressive
Bishop.
Seamus Deasys photography and Roger Doyles music add effectively to the
film which is broadly based on a Gaelic novel by Father Pádraigh
Standún. In spite of its controversial subject it is in no way
anti-religious but handles a human problem in human if dispassionate terms.
Its script won an Arts Council award".
Liam O Leary
"Budawanny is different, is important, is at once a populist expression
of a simple story, and a deadly serious, artfully crafted, film of ideas.
Sometimes these judgements are better left to posterity: its just that
Ive got a nagging feeling that Budawanny belongs up there with Battleship
Potemkin
. Above all, theres a a fluidity and mastery of form
here that deserve recognition".
Gerry McCarthy
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